Most visitors to Thanjavur come for the Big Temple and are surprised to find, a short walk away in the old town, a rambling second monument that is almost its equal for atmosphere: a royal palace begun by one dynasty and finished by another. The Thanjavur Maratha Palace — Aranmanai to locals — is not a single building but a warren of courtyards, halls and towers stacked up over three centuries. Behind its salmon-pink walls sit a durbar hall, a seven-storey bell tower, one of the oldest libraries in Asia and a gallery of bronze gods that made the Chola country famous.

Know before you go
  • Begun by the Thanjavur Nayak kings in the sixteenth century; expanded by the Bhonsle Marathas, who ruled Thanjavur from 1674 to 1855.
  • Highlights: the Durbar Hall, the seven-storey Bell Tower, the octagonal Sarjah Madi and the Saraswathi Mahal Library.
  • The palace Art Gallery holds one of the finest collections of Chola bronze and granite sculpture anywhere.
  • It sits in the old town, roughly two kilometres from the Brihadeeswarar Temple.
  • Several sections — museum, art gallery and bell tower — charge separate small entry fees.

Two dynasties, one address

The palace grew out of Thanjavur’s shifting fortunes. It was begun by the Thanjavur Nayak kings — the line that governed the delta from around 1535 — as their fortified residence in the sixteenth century. When the Nayak state collapsed, the Marathas moved in: in 1674 Venkoji, also called Ekoji, a half-brother of the great Maratha ruler Shivaji, seized Thanjavur and founded a Bhonsle dynasty that would rule here until the British annexation in 1855. The Marathas kept the Nayak core and enlarged it, so the complex you walk through today is a layered thing — Nayak audience halls beside Maratha additions, all reached through the Thanjavur Maratha Palace ticket gate and about two kilometres from the Brihadeeswarar Temple.

Ornate stuccoed arch and painted figures above the Durbar Hall of the Thanjavur palace
The audience hall keeps its painted stucco and gilded figures.Photo: பிரயாணி / CC BY-SA 4.0 / Wikimedia Commons

The Durbar Hall, the Bell Tower and the Sarjah Madi

The showpiece interiors are the durbar halls. The Maratha Durbar Hall, where the Bhonsle rajas held audience, is a pillared chamber whose arches and ceilings still carry painted plaster and gilded figures, faded but unmistakably regal. Rising over the complex are its two most photographed towers. The Bell Tower — a tall, rectangular structure said to climb seven storeys — once carried a mechanical bell at its top that, by tradition, was rung to mark the hours for the town below. Close by stands the octagonal Sarjah Madi, sometimes called the Goodagopuram, a lookout whose stacked, tapering balconies are usually credited to the scholar-king Serfoji II. Together they give the palace its unmistakable skyline of arsenal, arcade and tower.

The Saraswathi Mahal Library

Tucked inside the same walls is the palace’s quietest marvel. The Saraswathi Mahal Library was founded by the Nayak kings in the sixteenth century and is often described as one of the oldest surviving libraries in Asia. Its transformation into a scholar’s treasure-house, though, was the work of the Maratha ruler Serfoji II (r. 1798–1832), a remarkable king educated partly by European missionaries who read voraciously in several languages and sent agents across India to collect, buy and copy manuscripts. The library today holds more than 49,000 volumes, including over 4,500 manuscripts — many of them palm-leaf — in Tamil, Sanskrit, Telugu and Marathi, alongside rare printed books and maps. A museum area lets visitors see a selection; the Saraswathi Mahal Library remains a working research institution.

A Chola-era dancing Shiva bronze in a glass case in the Thanjavur palace Art Gallery
A dancing Shiva bronze in the palace Art Gallery, with more icons behind.Photo: Raja Raja Chola Art Gallery / Public domain / Wikimedia Commons

The Art Gallery of Chola bronzes

The other reason to linger is sculpture. Housed within the palace, in the arcaded halls around a courtyard, the Thanjavur Art Gallery — opened in 1951 — gathers hundreds of stone and bronze images, most of them gifts from the temples of the surrounding delta. Its granite figures range across the Pallava, Chola and later periods, but the bronzes are the stars: lithe, lost-wax castings of Shiva, Vishnu, Parvati and the saints, made in the same medieval workshops that produced the celebrated dancing Shiva, or Nataraja. Displayed under glass with more icons receding into the background, they let you see, at close range, the metalwork that defined South Indian art. For the practical details, see the Thanjavur Art Gallery.

Visiting the palace

The palace sits in Thanjavur’s old town, easily walked or reached by auto from the Big Temple and the railway station. Give it at least a couple of hours: the museum and durbar hall, the climb up the bell tower for a rooftop view, the library’s display room and the art gallery each ask for time, and several charge small separate fees. Mornings are cooler and the light is kinder for the towers. Come between about November and February, when the delta weather is at its gentlest. To place it in context, read our guide to the palaces of Tamil Nadu and the story of Serfoji II and the Saraswathi Mahal Library.

Frequently asked questions

Who built the Thanjavur Maratha Palace?

It was begun by the Thanjavur Nayak kings in the sixteenth century as their fortified residence, then taken over and expanded by the Bhonsle Marathas, who ruled Thanjavur from 1674 to 1855. What you see today mixes Nayak and Maratha work.

What is the palace’s connection to Shivaji?

The Bhonsle line at Thanjavur was founded in 1674 by Venkoji, also known as Ekoji, a half-brother of the Maratha king Shivaji. His descendants ruled the Thanjavur Maratha kingdom until the British annexation in 1855.

What is the Saraswathi Mahal Library?

A library inside the palace, founded by the Nayaks and greatly enriched by the scholar-king Serfoji II. Often called one of the oldest surviving libraries in Asia, it holds more than 49,000 volumes, including thousands of palm-leaf and other manuscripts. Part of it is open to visitors as a museum.

What can you see in the palace Art Gallery?

The gallery, opened in 1951, displays hundreds of granite and bronze sculptures gathered from delta temples, including superb Chola-era bronzes of Shiva, Vishnu and Parvati. It is one of the best places anywhere to see South Indian metalwork up close.

What are the Bell Tower and the Sarjah Madi?

The Bell Tower is a tall rectangular tower said to rise seven storeys, once topped by a bell used to mark the hours. The Sarjah Madi, or Goodagopuram, is an octagonal observation tower with stacked balconies, usually credited to Serfoji II.

How much time do you need, and when should you visit?

Allow at least two to three hours for the museum, durbar hall, bell tower, library and art gallery, which charge separate small fees. The cool, dry months from about November to February are the most comfortable time to visit.