Atiranachandeswara Cave Temple

A striking open-air Pallava rock-cut pavilion at Saluvankuppam, framed by a fan of carved yali (mythical lion-tiger) heads, set in a coastal grove a short drive north of Mamallapuram.

A small, elegant structural Shiva temple in the Mamallapuram group, built in the early 8th century during the reign of Rajasimha Pallava. It stands apart on the northern edge of the town. The shrine shows the transition from rock-cut to structural architecture that later produced the Shore Temple.

A 7th-century Pallava rock-cut shrine at Mamallapuram carved as three adjacent cells honouring the Hindu trinity, Brahma, Vishnu and Shiva, with the central Shiva shrine given prominence and a striking Durga figure carved on the outer rock.

Known in Tamil as Vaan Irai Kal, this enormous natural boulder rests improbably on a smooth slope of the Mamallapuram hill, a beloved landmark beside the town's Pallava monuments.

A single-block Pallava rock-cut shrine from the 7th century, carved in the chariot form of the Pancha Rathas and later dedicated to Ganesha. It sits just behind Arjuna's Penance within the UNESCO monument cluster.

Often called the earliest monument at Mamallapuram, this 7th-century Pallava rock-cut mandapa (the Adivaraha Cave) is celebrated for four naturalistic wall panels including Vishnu as the boar Varaha lifting the earth goddess.

An unfinished Pallava monument of massive pillars and beams, believed to be an incomplete gateway (gopuram) abandoned mid-construction. The exposed, half-carved columns give a rare glimpse into how Mamallapuram's monolithic structures were quarried and shaped in stages.

Also called the Descent of the Ganges, this giant 7th-century Pallava open-air bas-relief, among the largest in the world, is carved across two adjoining boulders crowded with gods, sages, and life-size elephants.

A set of outlying monolithic chariot-shrines carved from single boulders, sculpted like the more famous Pancha Rathas but set apart to the north near a tank. Part of the UNESCO Group of Monuments, they show the same 7th-century Pallava rock-cutting tradition in a less-visited setting.

The largest cave temple at Mamallapuram, a spacious but deliberately unfinished late-7th-century Pallava rock-cut mandapa popularly named for the five Pandava brothers of the Mahabharata.

The living Vishnu temple in Mamallapuram town, one of the 108 Divya Desams, where the deity Sthalasayana Perumal is worshipped in a reclining, ground-resting form and which tradition links to the Alvar saint Bhutathazhwar.

A rock-cut mandapa at Mamallapuram whose great mid-7th-century Pallava bas-relief shows Krishna raising Mount Govardhana on one hand to shelter the cowherds and their cattle from the storm.